Paolo Sorrentino's The Great Beauty (La Grande Bellezza) won the 2014 Academy Award for Best Foreign Language Film. While some of the most high-profile of these, most notably The Godfather, emphasizes the links between Italian-Americans and the mafia, there are quite a few other movies that show other elements of the immigrant experience. It was founded in 1962. Italy was, along with Britain, one of the major destinations for American film companies. The cinepanettoni (singular: cinepanettone) are a series of farcical comedy films, one or two of which are scheduled for release annually in Italy during the Christmas period. [9] In the early 1900s, artistic and epic films such as Otello (1906), The Last Days of Pompeii (1908), L'Inferno (1911), Quo Vadis (1913), and Cabiria (1914), were made as adaptations of books or stage plays. The film, assimilating Manzoni's lesson of making historical fiction plausible, reconstructs the Capture of Rome on 20 September 1870. The 1950s was something of a golden age for Hollywood, and there are many iconic movies from the period. Affect is a pre-personal experience of intensity, the ability to affect or be affected. The 1980s was a period of decline for Italian filmmaking. Yet it is perhaps the most violent attack, in the apparent quietness of the action, against the rules of the new economy, the new mentality, the new values, and it embodies both a conservative and a progressive view.[81]. With an area of 400,000 square metres (99 acres), it is still the largest film studio in Europe,[61] and is considered the hub of Italian cinema. [104] The large influx at the box office from the two films remained almost unchanged in the sequels Bread, Love and Jealousy (1954), Scandal in Sorrento (1955) and Pretty But Poor (1957), also directed by Luigi Comencini and Dino Risi. Pastrone's plan to adapt the Bible with thousands of extras remained unfulfilled. West Lafayette, IN: Digital-I, 2002. The European industry in its early days mainly consisted of different countries such as France, Germany, and Italy. During this period, Mussolini's son, Vittorio, created a national production company and organized the work of noted authors, directors and actors (including even some political opponents), thereby creating an interesting communication network among them, which produced several noted friendships and stimulated cultural interaction. With the end of the decade, Rome definitively established itself as the main production center; this will remain, despite the crises that will periodically shake the industry, right up to the present day. Following their mass participation in World War II and their access to the postwar GI Bill and government housing loans, the socioeconomic standing of Italian Americans began to change and so too did media representations of them. [139] Giallo developed in the mid-to-late 1960s, peaked in popularity during the 1970s, and subsequently declined in commercial mainstream filmmaking over the next few decades, though examples continue to be produced. The actor Gina Lollobrigida, who has died aged 95, was one of the great film stars of the 1950s and 60s, and an icon of Italian cinema who became known as "the most . West III earned a PhD in film and screen studies from Syracuse University in 2018. Many neorealist films, but not all, used non-professional actors. [170] The most famous actors who played dramas were Mario Merola, Mario Trevi, and Nino D'Angelo.[171]. Cineteca Nazionale is a film archive located in Rome. In 1949, the designer Nino Pagot presented The Dynamite Brothers at the Venice Film Festival, one of the first animated feature films of the time, released in theaters in conjunction with La Rosa di Bagdad (1949), made by the animator Anton Gino Domeneghini. Seven thousand people were involved in the filming of the battle scene from Scipio Africanus, and live elephants were brought in as a part of the re-enactment of the Battle of Zama. He co-hosts the Queens of the B's podcast with Mark Muster and writes a regular newsletter, Omnivorous, on Substack. Suggests that since Italian immigration peaked almost a century ago, modern-day Italian Americans are disconnected from their ethnic immigrant origins. In many ways, it is the epitome of the traditional American story, focusing as it does on a working-class Italian American man who aspires to be a heavyweight boxer. Cinema Paradiso: The Italian American Presence in American Cinema. In The Italian American Heritage: A Companion to Literature and Arts. The link was not copied. [24] Not long before, in 1895, Filoteo Alberini patented his "kinetograph", a shooting and projecting device not unlike that of the Lumires brothers.[12][25]. Young girl japanese porn. Free porn french sexy petite spunker fuck young stud. In addition to the now canonical documentaries, short films and newsreels, there is also an increase in feature films in praise of Italian war enterprises. Dress like an Italian; Fashion Cities in Italy; Gucci, Ferragamo and Prada; Introduction: The course and Paper; Italian American Mob Style; Italian Fashion and Cinema; Italian Glamour and its Influence; Italian VS American Style; Missoni, Bottega Veneta, and Loro Piana; Moschino, Diesel, and Dolce Gabbana; Sample Page; testing text 2 speech . Present auteurs include: On this Wikipedia the language links are at the top of the page across from the article title. It also produces interactive touring exhibitions and makes valuable loans to other prestigious exhibitions such as Lanterne magique et film peint at the Cinmathque Franaise in Paris and the National Museum of Cinema in Turin. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a livingor even a fortune. You could not be signed in, please check and try again. In the 1990s, Italian animation entered a new phase of production due to the Turin Lanterna Magica studio which in 1996, under the direction of Enzo D'Al, created the intriguing Christmas fairy tale La freccia azzurra, based on a short story by Gianni Rodari. [55], Literature and theater are still the preferred narrative sources. dAcierno, Pellegrino. It is closely connected to the sexual revolution, and it was something extremely new and innovative for that period. Neomelodica Music: Formal, Informal and Criminal Dimensions of Naples' Marginalised Entertainment Industry by Alessandro Mazzola, A Different Tune: Popular Film Music and Masculinity in Action, The Good the Bad and the Ugly: Transatlantic Stereotypes (1880s1950s), Selling Italy by the Sound: Cross-Cultural Interchanges through Cover Records (1920s-to date), Migration, masculinity and "double occupancy" in Paola Randi's Into Paradiso, Popular Italian Cinema (co-edited with Louis Bayman), Zumurrud in her Camera: Pier Paolo Pasolini and the Global South in Contemporary Italian Film, Transatlantic Crossings: Representing Hierarchies of Whiteness in the Cinema of the Economic Miracle, American University of Rome II International Conference 14-15 june 2019 GLOBAL INTERSECTIONS AND ARTISTIC INTERCONNECTIONS: ITALIAN CINEMA AND MEDIA ACROSS TIMES AND SPACES Journal of Italian Cinema and Media Studies, Abstracts_Second International Conference_Global intersections and artistic interconnections: Italian cinema and media across times and spaces, Rock 'n' Roll, Tango and Italian Boogie-Woogie: Transnational Music and Immigrant Life in Buenos Aires (Winner of the 2017 ISCH Essay Competition). While neorealism exploded after the war, and was incredibly influential at the international level, neorealist films made up only a small percentage of Italian films produced during this period, as postwar Italian moviegoers preferred escapist comedies starring actors such as Tot and Alberto Sordi.[79]. Expand or collapse the "in this article" section, Analyses of and Comparisons between Individual Films, Representations of Italian Americans in the Films of Non-Italian Filmmakers, Analyses of and Comparisons between Individual Gangster Films, Sitcoms, Cooking Shows, and Reality Television, Expand or collapse the "related articles" section, Expand or collapse the "forthcoming articles" section, Italian-Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences, Cinema and Media Industries, Creative Labor in, Film Theory and Criticism, Science Fiction. [12] Several major studios, among them Cines and Ambrosio, formed the Unione Cinematografica Italiana to coordinate a national strategy for film production. [96] Fellini won the Palme d'Or for La Dolce Vita, was nominated for twelve Academy Awards, and won four in the category of Best Foreign Language Film, the most for any director in the history of the academy. And increasingly, scholars acknowledge the need to situate ethnic authorship and ethnic representations historically. Even though many movies about Italian-Americans focus on the mafia, there are many others that demonstrate other elements of their experience. Also Pasquale Squitieri for the film Il prefetto di ferro (1977) and Giuliano Montaldo, who after some experiences as an actor, staged some historical and political films such as The Fifth Day of Peace (1970), Sacco & Vanzetti (1971) and Giordano Bruno (1973). Defines "Italian-American cinema" as films by Italian American directors that investigate "Italian-American subjects." d'Acierno, Pellegrino. Tamburri, Anthony Julian. In the process, they brush up against affiliates of the regions violent organized crime networks, the camorra. Moments in Italian-American Cinema: From Little Caesar to Coppola and Scorsese. In From the Margin: Writings in Italian Americana. To the Futurists, cinema was an ideal art form, being a fresh medium, and able to be manipulated by speed, special effects and editing. [111], The genre of Commedia all'italiana differs markedly from the light and disengaged comedy from the so-called "pink neorealism" trend, in vogue until all of the 1950s, since, starting from the lesson of neorealism, is based on a more frank adherence in writing to reality; therefore, alongside the comic situations and plots typical of traditional comedy, always combines, with irony, a biting and sometimes bitter satire of manners, which reflects the evolution of Italian society in those years. In 1995, 93 films were produced,[187] while in 2005, 274 films were made. A new Don Camillo film, titled The World of Don Camillo, was also remade in 1983, an Italian production with Terence Hill directing and also starring as Don Camillo. He received an honorary award for Lifetime Achievement at the 65th Academy Awards in Los Angeles. [38] The Last Days of Pompeii (1913), by Eleuterio Rodolfi, used innovative special effects. Along the exhibition path of about 35,000 square feet (3,200 m2) on five levels, it is possible to visit some areas devoted to the different kinds of film crew, and in the main hall, fitted in the temple hall of the Mole (which was a building originally intended as a synagogue), a series of chapels representing several film genres.[201]. Though its fish-out-of-water plot might be predictable, the courtroom scenes alone make the movie a very hilarious comedy. These movies show just how varied this community is, and how they shouldnt be pigeonholed in terms of cinematic representation. In the meantime, in the actor's field, the phenomenon of stardom was born which for a few years will experience unstoppable success. [24] From an iconographic point of view, the main references are the great Renaissance and neoclassical artists, as well as symbolists and popular illustrations. [29][30], In the early years of the 20th century, the phenomenon of itinerant cinemas developed throughout Italy, providing literacy of the visual medium. Sets Opening Records", "Italian Comedy 'Sun in Buckets' Sets New Opening Weekend Sales Record", "Oscars: Italy Selects 'Fire at Sea' for Foreign-Language Category", "Fondazione Cineteca Italiana (FCI) filmarchives online", "1962, nasce la Cineteca di Bologna: 53 anni di storia in un video", "Touring Club Italiano Dossier Musei 2009", "MUSEO NAZIONALE DEL CINEMA MOLE ANTONELLIANA", "49th Academy Awards (Monday, March 28, 1977)", "52nd Academy Awards (Monday, April 14, 1980)", "55th Academy Awards (Monday, April 11, 1983)", "Venice: David Gordon Green's 'Manglehorn,' Abel Ferrara's 'Pasolini' in Competition Lineup", "Addio, Lido: Last Postcards from the Venice Film Festival", "Trionfante e sereno nella sua nudit, David, simbolo del Rinascimento", "David di Donatello 19562016: Sixty Years of Awards", "Da Konchalovskij ad Ardant e Avati: tante le novit del Bari International Film Festival", "Nelvana.com: Company: Awards Received", "Cartoons on the Bay: Special Awards 2009", "Cartoons on the Bay A Film Festival World profile", "Avatar, Foster's & Peppa Win at Cartoons on the Bay", "Cartoons on the Bay Announces The Short List for the Pulcinella Awards", "Cartoons on the Bay 2004 Report. The era of divas, dandies and strongmen, who barely survived the 1920s, is definitely over. Defines Italian-American cinema as films by Italian American directors that investigate Italian-American subjects.. [75] The Great Appeal (1936) by Mario Camerini, exalts imperialism by describing the "new land" as an opportunity for work and redemption, contrasting the heroism of young soldiers with bourgeois fearlessness. The director Enzo d'Al, who separated from the Lanterna Magica studio, produced other films in the following years such as Momo (2001) and Opopomoz (2003). In 2010, the first Italian animated film in 3D technology was made, directed by Iginio Straffi, entitled Winx Club 3D: Magical Adventure, based on the homonymous series; in the meantime Enzo D'Al returns to theaters, presenting his Pinocchio (2012). While Italy's Fascist government provided financial support for the nation's film industry, notably the construction of the Cinecitt studios (the largest film studio in Europe), it also engaged in censorship, and thus many Italian films produced in the late 1930s were propaganda films. Inspired by the well-known Disney Fantasia, it is a mixed media film, in which animated episodes are molded to the notes of many classical music pieces. Tomasulo, Frank P. Italian-Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences. VIA: Voices in Italian Americana 7.1 (1996): 6572. [114], At this time, on the more commercial side of production, the phenomenon of Tot, a Neapolitan actor who is acclaimed as the major Italian comic, exploded. Famous films of denunciation by Elio Petri are The Working Class Goes to Heaven (1971), a corrosive denunciation of life in the factory (winner of the Palme d'Or at Cannes) and Investigation of a Citizen Above Suspicion (1970). The go-to source for comic book and superhero movie fans. Considered at the time as protagonists of B movie, they were subsequently reevaluated by critics for their comedy and creative abilities, becoming the subject of study. Condottieri (1937) by Luis Trenker, tells the story of Giovanni delle Bande Nere, explicitly establishing a parallel with Benito Mussolini, while Scipio Africanus: The Defeat of Hannibal (1937) by Carmine Gallone (one of the greatest financial efforts of the time), it celebrates the Roman Empire and indirectly the Fascist Empire. In the 1970s the work done by the director Lina Wertmller was influential, who together with the well-established actors Giancarlo Giannini and Mariangela Melato, gave life to successful films such as The Seduction of Mimi (1972), Love and Anarchy (1973) and Swept Away (1974). Under Casillos definition, the films of directors such as Ida Lupino and Frank Capra do not qualify as Italian-American cinema since they seem to lack an interest in Italian Americans. Its hard to imagine a more mismatched pair of actors than Cher and Nicholas Cage, but they manage to have powerful chemistry in Moonstruck. If personal history stands correct, I drank my first Negroni in 2007, from Seattle chef Ethan Stowell at his just-opened Italian restaurant Tavolta.. "You're gonna love this," he said . Protest and rebellion by the female protagonists are out of the question. Large-budget films shot at Cinecitt during the "Hollywood on the Tiber" era such as Quo Vadis (1951), Roman Holiday (1953), Ben-Hur (1959), and Cleopatra (1963) were made in English with international casts and sometimes, but not always, Italian settings or themes. When Americans think of Italian food, they tend to think of pepperoni pizza, garlic bread, and chicken Parmesan. Where: Alfredo Alla Scrofa Restaurant: Via della Scrofa, 104/a, 00186 Roma RM, Italy. Poetry and cruelty of life were harmonically combined in the works that Vittorio De Sica wrote and directed together with screenwriter Cesare Zavattini: among them, Shoeshine (1946), The Bicycle Thief (1948) and Miracle in Milan (1951). After the great success of Cabiria, with the changing tastes of the public and the first signs of the industrial crisis, the genre began to show signs of crisis. Sometimes dismissed as low-quality escapist fare, the sword-and-sandal allowed newer directors such as Sergio Leone and Mario Bava a means of breaking into the film industry. The titles are: The Little World of Don Camillo (1952), The Return of Don Camillo (1953), Don Camillo's Last Round (1955), Don Camillo: Monsignor (1961), and Don Camillo in Moscow (1965). Contemporary filmmakers such as Tim Burton,[99] Terry Gilliam,[100] Emir Kusturica,[101] and David Lynch[102] have cited Fellini's influence on their work. Satisfies L&S Arts & Literature breadth requirement. It is widely considered to have started with Mario Monicelli's Big Deal on Madonna Street in 1958[106] and derives its name from the title of Pietro Germi's Divorce Italian Style, 1961. (1939) by Giorgio Ferroni, and is the backdrop for another dozen films, among which the most spectacular is The Siege of the Alcazar (1940) by Augusto Genina.[74]. "Offence to the Camorra", 1973), written and directed by Ettore Maria Fizzarotti and starring Mario Merola at his film debut, is regarded as the first sceneggiata film and as a prototype for the genre. [13][14] The Spaghetti Western achieved popularity in the mid-1960s, peaking with Sergio Leone's Dollars Trilogy, which featured enigmatic scores by composer Ennio Morricone, which have become popular culture icons of the Western genre. Besides the many films starring a variety of muscle men as Hercules, heroes such as Samson and Italian fictional hero Maciste were common. While this particular movie eschews the ethnic interests that were such a signature part of its predecessor, it is still notable for the way that it shows Tony still attempting to overcome what he sees as the limitations of his Brooklyn upbringing. London: Legenda, 2011. [26], If the interest of the masses were enthusiastic, the technological novelty would likely be snubbed, at least at the beginning, by intellectuals and the press. In 2014, Germans went 1.5 time to the movies, the French 3.1 and Americans 3.8 # 3 - French films dominate in France. The film was then realized in 1972 with Gastone Moschin playing the role of Don Camillo and Lionel Stander as Peppone. Ferraro, Thomas J. The following year Nuti abandoned the trio and began a solo career with three movies directed by Maurizio Ponzi: What a Ghostly Silence There Is Tonight (1982), The Pool Hustlers (1982) and Son contento (1983). In 1998, Roberto Benigni was the first Italian actor to win for the Best Actor for Life Is Beautiful. [60] Similar to Righelli's film is What Scoundrels Men Are! [200] The museum houses pre-cinematographic optical devices such as magic lanterns, earlier and current film technologies, stage items from early Italian movies and other memorabilia. Edited by Anthony Julian Tamburri, Paolo A. Giordano, and Fred L. Gardaph, 394416. With the transition to sound cinema, most of the Italian silent film actors, still linked to theatrical stylization, find themselves disqualified. 1, ed . Two years later, with Seven Beauties (1976), she obtained four nominations for the Academy Awards, making her the first woman ever to receive a nomination for best director. In contrast, Italian pizza dough is very thin and circular with a raised crust . My Cousin Vinny is a vintage 1990s movie, focusing as it does on a pair of Italian-Americans from New York who, after getting stranded in Alabama, face a murder trial for a crime they didnt commit. The economic crisis that emerged in the 1980s began to ease over the next decade. https://museoitaloamericano.org/wp-content/uploads/logo_museo_web2.png, https://museoitaloamericano.org/wp-content/uploads/Cinema-cover.jpg. A still shot from Rome, Open City (1945), by Roberto Rossellini. [92] Cinderella the Cat (2017), taken from the text Pentamerone by Giambattista Basile, came out of the same studio. Terence Hill and Bud Spencer made numerous films together. Clint Eastwood as the Man with No Name in For a Few Dollars More (1965), part of Sergio Leone's Dollars Trilogy. He is co-founder and co-director of Bordighera Press, past president of the Italian American Studies Association and of the American Association of Teachers of Italian. Offers a historically grounded analysis of Italian American representations from the 1920s to the 1960s and a discussion of Italian American filmmakers such as Scorsese and Francis Ford Coppola. The second expands existing work by considering Italian American representations in Italian films and argues that often Italian American characters are wealthy but shameful. Most of the futuristic-themed films of this period have been lost, but critics cite Thas (1917) by Anton Giulio Bragaglia as one of the most influential, serving as the main inspiration for German Expressionist cinema in the following decade. Besides Naples, the second homeland of sceneggiata is probably Little Italy in New York City.[174]. What would later take on the synthesis of the giallo, in fact, was produced and distributed at the dawn of Italian cinema. Re-viewing Italian Americana: Generalities and Specificities on Cinema. During this period, a group of intellectuals close to the fortnightly cinematografo led by Alessandro Blasetti launched a program that was as simple as it was ambitious. Notes and Experiences for the Development of a Cinema of Liberation in the Third World," New Latin American Cinema, vol. Italy has produced many important cinematography auteurs, including: These directors' works often span many decades and genres. An exemplary case is that of A Woman's Story (1920) by Eugenio Perego, which uses an original narrative construction to propose a 19th-century morality with melodramatic tones. It glorified modernity and aimed to liberate Italy from the weight of its past.[52]. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system. The operator employs for the first time actors of theatrical origin, exploiting the historical argument in a popular and pedagogical key. Father daughter incest erotica Une bonne grosse cochonne f. ets.org. Another great example of differences between pasta in Italy vs America. The first film of the genre Telefoni Bianchi was The Private Secretary (1931), by Goffredo Alessandrini. The Forgotten Pistolero by Ferdinando Baldi (1969). illustrata - Gordiano Lupi", Cinema & cinema: "La tenerezza" di Gianni Amelio, "Lina Wertmuller: "Agli Oscar credo poco, preferisco pensare al nuovo film", "Aldo Grasso: Villaggio l'ha sfruttato troppo Molto meglio il suo Fracchia televisivo", "CantaNapoli: La sceneggiata di Mario Merola", "Nino D'Angelo: uno show per i suoi 60 anni. Ernest Borgnine delivers a powerful performance as the title character. Neorealism declined in the late 1950s in favor of lighter films, such as those of the Commedia all'italiana genre and important directors like Federico Fellini and Michelangelo Antonioni. [202] The Milan Cinema Museum, managed by the Cineteca Italiana, is divided into three sections, the precinema, animation cinema and "Milan as a film set", as well as multimedia and interactive stations. Its story about a widowed Italian-American woman who falls in love with her husbands younger brother is an interesting one, and it uses this convention to explore bigger questions, such as the nature of love and of family. Today they are widely re-evaluated and have become real cult movies. Annali d'Italianistica, 30 (2012): 535-537. Deeds Goes to Town and You Can't Take It with You. Each film screening will be accompanied by a brief presentation of the socio-historical context in which it was produced, allowing students to situate the artistic projects within broader Italian, American and Italian-American histories. Newspapers, politicians, and contemporary media warned that Italians would dilute the racial and cultural purity of White Americans, that they were a dangerous, criminal threat prone to violent outbursts and uncontrollable emotions, and that they were a cheap labor source that jeopardized the economic security of middle- and working-class American citizens. Italian Americans Part 2: Musicians PulpFiction1982 56K views 11 years ago Almost yours: 2 weeks, on us 100+ live channels are waiting for you with zero hidden fees Dismiss Try it free You're. Your current browser may not support copying via this button. The film was awarded the Golden Lion at the Venice Film Festival. Il cinema comico-parodistico di Franco Franchi e Ciccio Ingrassia. ", "Playing with Genre: An Introduction to the Italian Giallo", "Of Giallo and Gore: A Review | Unwinnable", "Franco e Ciccio Una coppia in fotografia La Storia siamo noi", "MORTO FRANCO FRANCHI UNA CARRIERA PER RIDERE la Repubblica.it", "Una piazza per Franco e Ciccio amarcord tra vicoli e teatrini Palermo Repubblica.it", "Franco e Ciccio: amatissimi dal pubblico, detestati dalla critica - Toscana - il Tirreno", "Libri di cinema - "Due Cialtroni alla rovescia. Reproduction of images, sounds, or content without permission is prohibited, The Italian Cinema: Italians in American, America in Italian Films. Titles of the time include, Arrivo del treno alla Stazione di Milano ("Arrival of the train at Milan station") (1896), La battaglia di neve ("The snow battle") (1896), la gabbia dei matti ("The madmen's cage") (1896), Ballo in famiglia ("Family dance") (1896), Il finto storpio al Castello Sforzesco ("The fake cripple at the Castello Sforzesco") (1896) and La Fiera di Porta Genova ("The fair of Porta Genova") (1898), all shot by Italo Pacchioni, who was also the inventor of a camera and projector, inspired by the cinematograph of Lumire brothers, kept at the Cineteca Italiana in Milan. VII, Europe, Tennessee Williams & Italy A Transcultural Perspective, All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian American Sceneggiata., Duce/Divo: Masculinity, Racial Identity, and Politics among Italian Americans in 1920s New York City, Shipwrecked Spectators: Italy's Immigrants at the Movies in New York, 1906-1916, Italy in Early American Cinema: Race, Landscape, and the Picturesque - 2010. Since the 1990s, he has been introducing more serious subjects in his work, linked to the excesses of society and the individual's hardships in confronting it; some examples are Maledetto il giorno che t'ho incontrata (1992), Il mio miglior nemico (2006) and Io, loro e Lara (2010). Arguments related to civilian cinema can be found in the work of Damiano Damiani, who with The Day of the Owl (1968) enjoyed considerable success. A chapter on The Godfather complements discussions of rarely seen short films and an Italian film about US immigration (Nuovomondo). Through its rather simple story, it manages to capture the many complexities that often accompany the immigrant experience as those who come to the US wrestle with the pressures of assimilation. This paper tracks how difficult material conditions are lived on the level of affect among ordinary underemployed families engaged in the locally named practice the art of making do in the contact zone where the informal and illicit economies meet. Call Me by Your Name (2017), the final installment in Luca Guadagnino's thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015), received widespread acclaim and numerous accolades, including the Academy Award for Best Adapted Screenplay and the nomination for Best Picture in 2018. With the new millennium, the Italian film industry regained stability and critical recognition. 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